Special Musical Events 2017 

Brahms Requiem March 30, 2019


A Requiem for the Living

By Michael Diorio

Concert Saturday, March 30 at 7:00pm
When loved ones leave us our lives experience a vacuum in death’s wake.  Often this is accompanied by a period of self-reflection and greater mindfulness of our own mortality. What we do with grief when it is upon us can either propel us forward or anchor us indefinitely.  We are challenged to celebrate life in the face of death: an emotional paradox to which Brahms would have most assuredly subscribed.
Johannes Brahms was a realist, a pragmatist and an agnostic when it came to faith.  He was well versed in the Bible as translated by Martin Luther, yet detested dogma in religion and the thought of redemption through suffering. Brahms’ personal faith came from his upbringing in a tightly-knit family, the influential people and events that he experienced, and his own philosophy that kindness and generosity be extended to others. He had a love of life, and would forgo the worries of another day to fully live in the present. If Brahms were a different person, more strongly Christian and denominationally identifiable, his Requiem might have taken a very different form.
Ein deutsches Requiem (“A German Requiem”) represents Brahms’ view on life and death.  Daring to be different, it is written not for liturgical use, but for public consumption in a concert venue. It is not written in Latin, but in Brahms’ German vernacular, so as to be clearly understand by the German-speaking public. The biblical texts Brahms chose were not those of the traditional Requiem. In fact, there are no liturgical movements whatsoever within this work. Christ is quoted but twice, yet is never specifically mentioned in the entire piece. So what is this work about, and for whom was it written?
Given Brahms’ system of beliefs, his Requiem may be considered as a work more for the living than the dead. It focuses on those who remain in the wake of death. Throughout the work’s text Brahms explores the contrast of those who have achieved a state of peace, and those who have yet to receive it—still afflicted with a sense of mortality rather than eternality. The message that Brahms brings to us through this work is one of hope:  the promise of joy over sorrow, life over death, and the comfort taken in our trust of God. The Requiem is, in a manner of speaking, Brahms’ own sermon to us, reminding us both of our mortality and the promise of the eternal.  
Please join us on Saturday, March 30, at 7pm as Music at The Redeemer presents the Requiem of Johannes Brahms.
This concert will be offered in memory of Michael O. Stairs.
Second Sunday Evensongs

By Michael Diorio

This season will feature a new offering for evening worship. Beginning in October, and continuing through the program year, we will hold Choral Evensong at 5pm on the second Sunday of each month. This service will be in addition to our regular Sunday worship schedule, and will feature a rotation of our various choral ensembles at The Redeemer. 
It is our hope that our Evensongs will not only offer a meaningful supplement to our morning services, but will also provide a convenient time for families who are unable to attend the morning service to still experience The Redeemer, amidst our families’ densely scheduled weekends.  
Evensong is part of the Daily Office, the late-day counterpart to Morning Prayer. It is a non-Eucharistic choral service that offers hymnody, psalms, lessons appointed for the evening, choral canticles and anthems.  This service is also ideal for those who would like to experience the fullness of a Sunday liturgical expression without encountering repetition, as the readings and music for Evening prayer are entirely different from those appointed for the morning. 
The Redeemer in the evening is a totally different experience; the church space presages a hallowed experience. The lighting, the spaces, and the stillness of the sanctuary all beckon us to experience a deeper awareness of the sacred.  We hope that you will choose to attend a few or ALL of the following Choral Evensongs. 
These Evensongs are in addition to our services for both All Souls and Lessons & Carols.
October: Chancel Choir
     All Souls Service, November 4 at 5
November: Redeemer Choristers
December: Women of the Choirs
     Lessons & Carols, December 16 at 7
January: Redeemer Choir
February: Redeemer Choristers
March: Staff Singers
April: Congregational Evensong
May: Schola and Redeemer Choir
Meet Our New Organ Scholar

Adrian Binkley

The Michael Stairs Organ Scholar, named in honor of Michael Stairs, and in recognition of his history as a graduate of the Curtis Institute of Music, will be a position at The Redeemer intended for an undergraduate organ major at Curtis. The position will enable the student to receive practical and immersive experience in a parish church setting. This is something that not many organ students receive as part of their regular scholastic training. The organ scholar will accompany rehearsals, learn to work with children and adults of varying abilities and gifts, and will share in the service-playing responsibilities. Along with programmatic training and schedule logistics, these practical experiences will prepare the organ student to enter into a parish music program with a deeper understanding and greater sensibility as they begin their professional career. We have chosen our organ scholar for the next season, and would very much like to introduce you to him:

Adrian Binkley is a first-year student at the Curtis Institute of Music in Philadelphia, PA, and is an alumnus of the Interlochen Arts Academy in Interlochen, Michigan. He graduated with honors and received both a Fine Arts Award in Organ and one of two Presidential Young Scholar Awards in academics. At Interlochen he studied organ with Tom Bara, Organ Instructor and Assistant Director of Music at Interlochen Arts Academy and Interlochen Arts Camp.

At Curtis, he studies organ with Alan Morrison, the Haas Charitable Trust Chair in Organ Studies, and piano with Dr. Yu Xi Wang. While at home in Madison, Wisconsin, Adrian studies organ with Samuel Hutchison, Principal Organist for the Madison Symphony Orchestra, and he studies piano with Bill Lutes.

Adrian has received academic and musical merit scholarships and has performed in concerts at the Overture Center for the Arts in Madison, Wisconsin, Grace Cathedral in San Francisco, Longwood Gardens in Pennsylvania, Field Concert Hall at the Curtis Institute of Music, the Wanamaker Organ in Philadelphia, Verizon Hall at the Kimmel Center in Philadelphia, Interlochen Center for the Arts, and more. His performances have also been broadcast on Wisconsin Public Radio and Philadelphia Public Radio. While not playing organ or piano, Adrian enjoys researching history, studying mathematics and programming, reading, and running. In August of 2017 Adrian will being serving as the first Michael Stairs Organ Scholar at Church of the Redeemer in Bryn Mawr, PA.